國立故宮博物院 National Palace Museum 新增了 1 張相片。2016年1月13日上午9:45 · 董其昌是明代後期的藝壇領袖，也是啟迪後世無數書畫家的一代宗師，他的書畫作品與理論都深具啟發與創造性，以「妙在能合，神在能離」為追求境界。
正如這件明朝萬曆三十年(1602)，董其昌和友人顧際明一同宿於葑涇，並在四處遊賞古人名跡之後所畫下的【葑涇訪古圖】，董其昌將源自董源的披麻皴作疏密安排，再透過濃淡點畫的方式展現層峰與石頭的質感；圖中則還畫有茅屋、小亭和小橋，呈現靜謐自得的意境。
Dong Qichang was… 更多 not only the leader of art circles in the late Ming dynasty but also a master of his generation who later inspired countless painters and calligraphers. Both his theories and works of art were quite innovative, the realm to which he aspired in tradition called “marvelous at synthesis, divine at departure.”
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妙合神離—董其昌書畫特展
【明 董其昌 葑涇訪古圖】 陳列室：208
Synthesis and Departure in Tradition: Painting, Calligraphy, and Dong Qichang (1555-1636)
【Seeking… 更多