國立故宮博物院 National Palace Museum 新增了 1 張相片。2014年4月21日上午5:38 · 明四大家–文徵明【倣趙伯驌後赤壁圖 卷】(陳列室：202)
Current Exhibit: Wen Zhengming【Imitating Zhao Bosu's Illustration of the Latter Red Cliff】(Gallery: 202)
Wen Zhengming (1470-1559), Ming dynasty
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本卷以蘇軾(1037－1101)〈後赤壁賦〉為文本，描繪蘇軾與二友人復遊赤壁、登絕壁等情節，充滿著浪漫的情調。用色明麗通透，人物線條簡樸，山石堆疊繁密，設色接近趙孟頫文人青綠傳統。卷後文嘉題識敘述此畫由來，為使吳中士人不會因不願把家藏趙伯驌(約1123－1182)〈後赤壁圖〉獻給當權者嚴嵩之子世蕃而獲罪，故為友人重新臨寫一卷。此卷筆墨精謹，展現文氏深厚的仿古功力。
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國立故宮博物院 National Palace Museum
This handscroll, based on the text of Su Shi’s (1037-1101)… 更多 “Latter Ode on the Red Cliff,” depicts Su and two friends in such scenes as traveling back to the Red Cliff and ascending the cliffs with a great sense of lyricism. The colors are beautifully bright and clear, the lines for the figures simple and plain. Landscape elements are densely piled with coloring close to the blue-and-green tradition of literati painting practiced by Zhao Mengfu (1254-1322). At the end of the scroll is an inscription by Wen Jia (1501-1583), a son of Wen Zhengming, describing the story behind this painting. It mentions how Wen Zhengming made this copy of Zhao Bosu’s (ca. 1123-1182) “Illustration of the Latter Red Cliff” to prevent the owner, a Suzhou scholar and friend of his, from running afoul of a local official who wished to present the original to Yan Shifan (?-1565), son of the powerful Grand Secretary Yan Song (1480-1567). This copy also demonstrates Wen Zhengming’s great skill in imitating the manner of ancient paintings.