國立故宮博物院 National Palace Museum 新增了 1 張相片。2013年12月24日上午1:16 · 筆有千秋業-【明 王守仁 五言古詩】(陳列室：204) 最後兩週！
Current Exhibit:【Five-character Archaic Poetry】- The Ancient Art of Writing (Gallery: 204) Only 2 weeks left!
Wang Shouren(1472-1528), Ming dynasty
Hanging scroll, ink on… 更多 paper, 92.8 x 35.3 cm
這次「筆有千秋業」特展也收錄了王守仁的作品，王守仁曾在餘姚陽明洞天結廬，自號陽明子，故被學者稱為陽明先生，後世現在一般都稱他為王陽明。
策展人的話：
王守仁（1472-1528），字伯安，浙江餘姚人，明弘治十二年進士，諡文成。是著名的思想家，也就是大家耳熟能詳的陽明先生。在書藝表現上承襲二王一脈，並以行書見稱於世，從作品中可見受趙孟頫影響。全篇整體規矩，行書、草書搭配互換，結字挺拔有力；起筆和收筆出鋒銳利，在字體形態上亦多處與以誇張拉長，利用下半段大量餘白沖緩了緊張的氣氛，別開生面。
展期(Dates)：2013/10/08~2014/01/07
網站(Website)：http://theme.npm.edu.tw/exh102/calligraphy10210/index.html
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國立故宮博物院 National Palace Museum
Wang Shouren (style name Bo’an), a native of Yuyao, Zhejiang,… 更多 was a Presented Scholar of 1499 and posthumously named Wencheng. A renowned philosopher, he is better known as “Mr. Yangming.” In terms of calligraphy, he followed the Two Wangs, so his running script was praised by others. His works also reveal the influence of Zhao Mengfu. This work throughout is regulated with running and cursive script arranged in alternating form, the characters upstanding and powerful. The application and lifting of the brush reveals a sharp tip, while the character forms are often elongated in exaggeration, Wang using large areas of void in the bottom part to break up the tense atmosphere for a lively manner of his own.