國立故宮博物院 National Palace Museum 新增了 1 張相片。2013年12月23日上午9:27 · 十全乾隆-【清 張若澄 畫葛洪山居圖】(陳列室：105)
Special Exhibit:【Mountain Dwelling of Ge Hong (part)】(Gallery: 105)
Zhang Ruocheng (1714- ? ), Qing dynasty
Hanging scroll, ink on paper, 168.3 x 75.1 cm… 更多
在十全乾隆特展中，我們從第一單元「品味養成」一路介紹到第二單元「鑑藏製作（含品評鑑賞及仿製創新）」，繼今天的展件後，後天起我們接著要看的是乾隆的「生活藝術」。
全幅畫中除上方天空外，滿繪葛洪山景。以正統派畫法來表現傳統式地圖。重山複嶺填滿畫面，使得山勢益顯雄壯遼闊，是創新的嘗試。乾隆皇帝不但能接受，並稱「六法曾參識畫旨」予以肯定，顯示他的藝術品味不囿於正統畫派。
展期(Dates)：2013/10/08~2014/01/07
網站(Website)：http://theme.npm.edu.tw/exh102/qianlong/index.html
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國立故宮博物院 National Palace Museum
Zhang Ruocheng was a literary official under the Qianlong… 更多 emperor, often serving as a retainer on imperial inspection tours and being ordered to depict scenery along the route. This painting was done on the occasion of Qianlong’s western inspection tour in 1750. Being only able to view Ge Hong Mountain from a distance and unable to go there in person, Qianlong ordered Zhang Ruocheng to conduct an illustrated survey of the area. Except for the blank sky at the top, the entire work is filled with scenery of Ge Hong Mountain, expressing topography in the traditional map format using the painting method of the Orthodox School. Repeated peaks and ridges fill the surface, creating a mountain force that exerts a majestic and vast energy for an innovative manner. The Qianlong emperor not only accepted such creativity, he even approved of it by writing that Zhang was “Enlightened to the Six Laws and understood the point of painting,” indicating that his taste in art was not confined to the Orthodox School.