國立故宮博物院 National Palace Museum 新增了 1 張相片。2013年12月21日上午6:32 · 筆有千秋業-【漢 史晨後碑 軸(局部)】(陳列室：204)
Current Exhibit:【Reverse of the Shi Chen Stele (part)】- The Ancient Art of Writing (Gallery: 204)
Anonymous, Han dynasty (206 BCE-220 CE)
Hanging scroll, ink on paper, 168.8 x 82.3… 更多 cm
策展人的話：
〈史晨碑〉兩面刻石，此為碑陰之拓，故稱〈史晨後碑〉，又名〈魯相史晨饗孔廟碑〉。
〈史晨後碑〉刻於建寧元年(西元168年)，內容記述碑主史晨修護孔廟之事，為東漢紀念碑中之傑作，與〈禮器〉、〈乙瑛〉並稱孔廟三碑。筆法溫和蘊藉，字體間架方正，氣勢端肅恢宏。書家於撇捺收筆處加重了回筆和雁尾的提按，在漢隸中尤為明顯。行末第三十六字尚清晰可見，研判此為清拓本。
展期(Dates)：2013/10/08~2014/01/07
網站(Website)：http://theme.npm.edu.tw/exh102/calligraphy10210/index.html
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國立故宮博物院 National Palace Museum
The Shi Chen stele (or "Stele for Temple of Confucius Rites by… 更多 Shi Chen, Minister of Lu") was engraved on both sides. This is a rubbing of the back, hence the title.
Carved in 168 CE, the contents of the stele deal with Shi Chen renovating the Temple of Confucius. A masterful Eastern Han commemorative stele, it is one of the "Three Temple of Confucius Steles" along with those entitled "Ritual Vessels" and "Yiying." The brushwork here is moderate and reserved, the character forms upright and foursquare with a solemn and broad force. The calligrapher pressed hard while turning back the brush in the left and right diagonal strokes as well as in the rise and fall of the strokes to form "goose tail" mannerisms especially seen in Han clerical script. The last line of 36 characters clearly shows this to be a Qing dynasty rubbing.