國立故宮博物院 National Palace Museum2013年12月5日 · 十全乾隆-【宋 馬遠 華燈侍宴圖 軸(局部)】(陳列室：210)
Special Exhibit:【Banquet by Lantern Light (part)】(Gallery: 210)
Ma Yuan (fl. ca. 1189-1225), Song dynasty
Hanging scroll, ink on silk, 125.6 x 46.7 cm… 更多
展期(Dates)：2013/10/08~2014/01/07
網站(Website)：http://theme.npm.edu.tw/exh102/qianlong/index.html
馬遠（約活動於1189-1225）為南宋光宗、寧宗朝的宮廷畫家。這幅【華燈侍宴圖】描寫晚宴場景，五開間的廣闊廳堂內，楊榮父子及其眷屬似乎正向寧宗舉杯慶賀；場外叢梅環繞的廣場上，宮女執燈歌舞，細膩寫實之餘並流露詩情，是南宋院畫的代表佳作。
根據畫上乾隆四十八年(1783)題跋可知，乾隆內府原另有一件無名款的〈華燈侍宴圖〉，構圖以及畫上題詩均與此作相同，僅「畫中階墀部位微有參差。」乾隆皇帝由畫上楊皇后「父子同班侍宴榮」詩句，推測為記錄此盛事特別敕作此圖，當年可能「一稿兩幅，分賜侍宴者父子二人。」因此兩作均可視為宋人所作。嘉慶元年，清高宗更下令將兩軸「因命同弆一篋，貯乾清宮，以徵兩美之必合耳。」反映著乾隆皇帝將歷史上散佚的藏品再度恢復聚合的心願。
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國立故宮博物院 National Palace Museum
Ma Yuan was a court painter during the reigns of the Southern… 更多 Song emperors Guangzong and Ningzong. At the top of this work is a mounting sheet with an inscription that mentions an anonymous work of the same title in the court collection bearing an identical poetic inscription and composition. Based on the line of verse by Empress Yang (1162-1232) about a “Father and son together having the honor of a banquet,” the Qianlong emperor assumed that perhaps “Two versions of the painting were presented to the father and son of the banquet,” so he had both ascribed to the Song dynasty. In 1796, Qianlong ordered the two scrolls to be “Placed in the same box and stored at the Palace of Heavenly Purity so that these two ‘beauties’ would always be together.” It shows a strong desire on the part of Qianlong to bring treasures back together.